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Candid shot on the set. Notice the 8x10 camera used to shoot the picture. This made these sessions quite slow, not to mention quite warm because of the hot lights. |
| Shot of the interior of the Santa Monica studio - Ceasar Romero is being prepped for a session for clothing. The camera is an 8x10 - the strobes used were huge, standing almost 6 ft. tall with quite a loud pop when fired - Still a big improvement over flash bulbs. |  |
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Ceasar Romero and Tom on location in BelAir - shot was for a car ad with Ceasar. You can tell the date if you know what year Triumph this is. |
| One of the candid shots taken on the set with Ms. Turner and Tom. You can see how lovely Ms. Turner was from this close-up. The ad from this session ran in most of the major magazines in 1944 and 1945. The client was a national soap manufacturer still around today. |  |
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A shot of Maureen O'Hara and Tom at the Santa Monica studio. The shot was taken around 1940. |
| Hedda Hopper - columnist- wrote about Hollywood. Here she is posing for an ad - Tom is directing her in the proper the expressions. You'll notice in the scene that still shots were done with the big kheig lights in those days. Shot around 1944. |  |
 Photo of the younger Kelley. Photo taken at Kelley studio of a session with Playmate, Mary Ann Gravette. Photographers - Tom Kelley and Richard Fegley on the set. Fegley photographed Kelley shooting Ms. Gravette for the xx issue of Playboy. |
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